Solo Exhibitions
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2015
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Hiding in Plain Sight, Capture
Photography Festival, Art Beatus (Vancouver) Consultancy
Ltd, Vancouver, BC
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2013
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Across the Land and the Water,
Gallery 295, Vancouver, BC
|
2012
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Everything Conceals Something Else,
Art Beatus (Vancouver) Consultancy Ltd, Vancouver, BC |
2011
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To Either Side of What is Seen,
Pendulum Gallery, HSBC Building, Vancouver, BC
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2009
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Alma Mater Society Gallery, University of
British Columbia, Vancouver, BC
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2007
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Past Rays, Nihonbashi, Tokyo
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Group Exhibitions
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2018
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Transference, Richmond Art Gallery,
Richmond, BC
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2017
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Kaleidoscope, Art Beatus Gallery, Hong
Kong
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2016
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Summer Group Exhibition, Art Beatus
(Vancouver) Consultancy Ltd, Vancouver, BC
|
|
7, Emily Carr University MFA Graduation
Show, Charles H. Scott Gallery, Vancouver, BC
|
2015
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Now and Then, Pendulum Gallery,
Vancouver, BC
|
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Asia Hotel Art Fair Hong Kong, Art Beatus,
Hong Kong
|
2014
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Mapmaker Manifesto, Istanbul Design
Biennale, Istanbul
|
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Asia Hotel Art Fair Hong Kong, Marco Polo
Hotel, Art Beatus Gallery, Hong Kong
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2013
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Asia Contemporary Art Show 2013, Art Beatus
Hong Kong, Hong Kong
|
|
Asia Hotel Art Fair Hong Kong, Mandarin
Oriental Hotel, Art Beatus Gallery, Hong Kong
|
2012
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Art Taipei, Art Beatus Hong Kong, Taipei,
Taiwan
|
|
Asia Contemporary Art Show, Art Beatus Hong
Kong, Hong Kong
|
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Swarm Festival, Open
Studio, The Remington Gallery, Vancouver, BC
|
|
Urban Flaneur,
CityScape Gallery, North Vancouver Community Arts
Council, North Vancouver, BC
|
2011
|
CreativeEx,
CREATIVEMIX ideation conference, The Roundhouse,
Vancouver, BC
|
|
Swarm Festival,
Open Studio, The Remington Gallery, Vancouver, BC
|
2007
|
Shiodome Art Village,
Shiodome Shiosite, Tokyo |
2006
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Geisai #10, Tokyo Big
Site, Odaiba, Tokyo
|
|
Shiodome
Art Village, Shiodome Shiosite, Tokyo |
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Design Festa, Tokyo
Big Site, Odaiba, Tokyo
|
|
Spiral SICF,
Independent Creators Festival, Spiral Building,
Omotesando, Tokyo
|
2005
|
Visions of Utopia,
The Changing Room Gallery, Walthamstow, London
|
|
Central
Bank of Ireland Exhibition, Dame St, Dublin |
|
The Urban Condition, Public
Projection, Temple Bar Gallery of Photography, Dublin
|
2004
|
Blue Leaf Gallery, Pembroke
Lane, Dublin
|
2003
|
The Traveling Eye, Exposure Gallery,
Vancouver, BC
|
|
Architectural Group Show, Exposure Gallery,
Vancouver, BC |
Artist Residencies
|
2013
|
Artist in Residence, N&G Global Exchange
Center, Beijing, China
|
2012
|
Artist in Residence, School of Visual Arts,
University of Windsor, Windsor, Ontario
|
Public Art Projects
|
2012
|
The
I:I Scale Map of the World, Stanley Park Seawall, in
association with the Parks and Recreation, Vancouver, BC |
|
The
I:I Scale Map of the World, Riverfront Trail, in
association with the City of Winsor, Winsor, Ontario
|
Publications
|
Ross Kelly, 49
15 60 123 09 10 (www.blurb.com, October 2011)
|
Ross Kelly, The
Quasi-Political Pocket World Atlas (www.blurb.com,
September 2011)
|
Ross Kelly, to
either side of what is seen (www.blurb.com,
September 2011)
|
Awards |
2006
|
Winner, Pentax Award for Photography at
Tokyo Gesai #10, awarded by Marketing Dir. Pentax Inc.
|
|
Runner Up, Photography Book Category, 27th
Shinpoosha Japanese National Publishing Award
|
2004
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Runner Up, London Photographic Awards
|
Artist Statement
My practice is concerned with how the idea of
location often requires the interpretation of
coordinates that are exterior to ourselves, how those
coordinates shift, disappear and reappear, constantly,
how defining who we are, where we are and what our
culture means is often possible only through
positioning ourselves relative to other things and how
and why this has never been more true than it is
today.
The
communication and information revolution mean that we
are aware of, and engaged with the outside world in
ways that were not previously possible. While we
also have the capability to project ourselves outwards
into that world from virtually anywhere. Our
location is multiple, as must be our understanding of
the world that surrounds us.
In much of my
work I use photomontage to overtly inject different
moments, conditions, and events into a static vista,
recording a scene that is physically realistic but
which tries to reveal the complex and multi layered
reality that permeates the image, in a way that single
shot photography or video fails to do. More
recent works involve re-evaluating the lines and
contours used in mapping to explore and perhaps better
explain how contemporary societies interact.
This work includes ink and paper drawings and large
scale public art projects.
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For
further information, please contact:
Canada: tel: (1) 604.688.2633, fax: (1) 604.688.2685
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